Cuts 21-24

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Cut 21	Forward Audio Reverse Audio *1/2 x Reverse* *2 x Reverse*
	Forward Lyrics
	Bloated belly’s stuffed full
	Reverse Lyrics
	Oh Hurts… Sing thy Fiddle

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Cut 22	Forward Audio Reverse Audio *1/2 x Reverse* *2 x Reverse*
	Forward Lyrics
	Table cloth of Sable
	Reverse Lyrics
	For his slit of cut wrist

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Cut 23	Forward Audio Reverse Audio *1/2 x Reverse* *2 x Reverse*
	Forward Lyrics
	Grandpa tells the fables
	Reverse Lyrics
	So Bereaved… Could I’ve stopped have

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Cut 24	Forward Audio Reverse Audio *1/2 x Reverse* *2 x Reverse*
	Forward Lyrics
	Sitting at the table
	Reverse Lyrics
	Could he hurt that easy

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Subject Continuity

Perhaps one of the most interesting anomalies found while Reverse Recording Deciphering is the matter of Subject Continuity. Subject Continuity is when the subject matter of the Forward Lyric has the same or similar subject matter or topic as in the Reverse Lyric.

While Reverse Deciphering this song I didn't pay any attention to what the Forward Lyrics were until I had completely interpreted the Reverse Lyrics. That way I was insuring that my Reverse Deciphering outcome was not influenced or prejudiced by me knowing what the corresponding Forward Lyrics were.

Here is an example of Subject Continuity:

In Cut 21 the Subject Continuity is two-fold:

Forward- "Bloated belly’s stuffed full"

Reverse- "Oh Hurts… Sing thy Fiddle"

Here .

First is the Reverse Lyric Oh Hurts. Then there is the Forward Lyric of Bloated belly's. Needless to say we all know how much a bloated belly hurts.

Secondly, after a meal is finished and your Bloated belly's stuffed full is when the evening entertainment traditionally would begin and the music would start playing, thus, the Reverse Lyric Sing thy fiddle.